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Farewell To Surrealism Hancock Gallery Prints The visible wood grain and

SKU: 58983536089

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Description

The visible wood grain and texture play a central role in this expressive woodcut by Billy Childish

Drawing on the Japanese Shin-hanga movement

Cosmos by Jonathan Armstrong is a screenprint on Bread & Butter Edition 270gsm paper

of the maisons closes or brothels of Paris

It presents a rare and intriguing glimpse into the working process of one of art history’s most celebrated artists

Farewell To Surrealism Hancock Gallery Prints The visible wood grain andDaniel Remer employs a technique known as light painting to exercise precise control over light and shadow, allowing the lobsters vivid red tones to stand out strikingly against a backdrop of deep shadows. Remer carefully selects and refines objects to realise his conceptual vision, attending even to details such as the shape of the telephone and colour of the cord. With its metaphysical and surreal undertones, 'Farewell to Surrealism' is often seen

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